10000064subject.titleInfo=Middlemarch100Middlemarchan authoritative text, backgrounds, reviews and criticismEliot, George1819-1880creatorHornback, Bert G.1935-textbibliographyDomestic fictionDidactic fictionBildungsromansDomestic fictionFictionBildungsromansDidactic fictionLove storiesDidactic fictionBildungsromansnyuNew York (State)New YorkNortonc197719771st ed.monographicengEnglishprintxiv, 770 p. ; 22 cm.Related essays, journals, and letters accompany the story of the loosely entwined lives of Dorothea Brooke, Dr. Lydgate, and the Vincy family in a middle-class town.The text of Middlemarch -- Backgrounds -- Reviews and criticism (Middlemarch / Saturday Review -- Middlemarch / Sidney Colvin -- George Eliot's Middlemarch / Henry James -- George Eliot / Joseph Jacobs -- On Middlemarch / Leslie Stephen -- Character and environment in George Eliot's fiction / Walter Allen -- The moral imagination of George Eliot / Bert G. Hornback -- Women, energy, and Middlemarch / Lee R. Edwards -- Special pleading and art in Middlemarch : the relations between the sexes / Lloyd Fernando -- History by indirection : the era of reform in Middlemarch / Jerome Beaty -- Fiction and theh "matrix of analogy" / Mark Schorer -- The language of the novel / Hilda M. Hulme -- George Eliot : through the looking glass / Edwin J. Kenney, Jr. -- Dorothea's husbands / Richard Ellmann.George Eliot ; edited by Bert G. Hornback.Bibliography: p. 769-770.e-uk-enEliot, George1819-1880MiddlemarchEliot, George1819-1880MiddlemarchCriticismEliot, George1819-1880MiddlemarchEliot, GeorgeMiddlemarchCity and town lifeFictionMarried peopleFictionYoung womenFictionEnglandFictionPZ3.E43 Mi30PR4662PR 4662 A2 H67 1977A Norton critical editionNorton critical edition0393092100 (pbk.)0393044300^^^76022805^3003855https://id.lib.harvard.edu/alma/990008461130203941/catalogLamont Library, Harvard UniversityPR4662 .A1x 1977Widener Library, Harvard UniversityPR4662 .A1x 1977Widener Library, Harvard UniversityPR4662 .A1x 1977
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(Revision 1.117 2017/02/14)Middlemarch and the imperfect lifebookmarkedErens, Pamelacreatorauthor.textbibliographytextnyuNew York (State)20222022First edition.monographicNew York, NY :Ig Publishing,[2022]engEnglishprint166 pages ; 21 cmunmediatedvolume"A masterly evocation of life in a provincial English community, Middlemarch is considered perhaps the greatest novel of the Victorian era, praised by writers from Emily Dickinson to Virginia Woolf. In the latest volume in Ig's acclaimed Bookmarked series, critically lauded author Pamela Erens talks about how Middlemarch "rescued" her, first as a distressed college student, and then during the tragic events of the global pandemic." -- Back cover.Pamela Erens.Includes bibliographical references (pages 165-166).Eliot, George1819-1880MiddlemarchErens, PamelaBooks and readingMiddlemarch (Eliot, George)Sex role in literatureIdentity (Psychology) in literatureSex role in literatureIdentity (Psychology) in literatureBooks and readingPR4662 .E74 2022823.8BookmarkedBookmarked978163246131516324613151252414083https://id.lib.harvard.edu/alma/99156425899203941/catalogWidener Library, Harvard UniversityPR4662 .E74 2022
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(Revision 1.117 2017/02/14)engMiddlemarch from notebook to novela study of George Eliot's creative methodBeaty, Jerome1924-2000creatortextbibliographyCriticism, interpretation, etc.ctuConnecticutWestport, ConnGreenwood Press1981, c19601981monographicengEnglishprintix, 134 p. ; 24 cm.Set in Middlemarch, a fictional English Midland town, in 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events: the 1832 Reform Act, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.Jerome Beaty.Reprint. Originally published: Urbana : University of Illinois Press, 1960. (Illinois studies in language and literature ; v. 47)Bibliography: p. 133-134.Eliot, George1819-1880TechniqueEliot, George1819-1880MiddlemarchEliot, George1819-1880MiddlemarchCriticism, Textual1800-1899Creation (Literary, artistic, etc.)FictionTechniquePR4662 .B4 1981Middlemarch from notebook to novelBeaty, Jerome, 1924-Westport, Conn. : Greenwood Press, 1981, ©1960(OCoLC)894801364Illinois studies in language and literature v. 470313224129 (lib. bdg.)^^^81006588^7576211https://id.lib.harvard.edu/alma/990011858100203941/catalogLamont Library, Harvard UniversityPR4662 .B4 1981
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(Revision 1.117 2017/02/14)George Eliot: Middlemarcha casebookSwinden, Patrickcreatorcomp.Swinden, Patrickeditor.textbibliographybiographyHandbooks and manualsenkEngland[London]Macmillan[1972]1972monographicengEnglishprint256 p. 20 cm.'Middlemarch' / Arnold Kettle -- George Eliot in 'Middlemarch' / Quentin Anderson -- 'Introduction' to 'Middlemarch' / W, J. Harvey -- The surface of the novel: chapter 30 / Barbara Hardy -- Dorothea and the Theresa-complex / Laurence Lerner.Bibliography: p. [249]-250.Eliot, George1819-1880MiddlemarchEliot, George1819-1880MiddlemarchHandbooks, manuals, etcPR4662 .S85823/.8Casebook seriesGeorge Eliot: MiddlemarchSwinden, Patrick.[London] Macmillan [1972](OCoLC)557810117Casebook series0333021193^^^73151628^//r84622743https://id.lib.harvard.edu/alma/990017010380203941/catalogWidener Library, Harvard University21475.281
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(Revision 1.117 2017/02/14)Standard deviationschance and the modern British novelMonk, Leland1953-creatortextbibliographyCriticism, interpretation, etc.cauCaliforniaStanford, CalifStanford University Press1993monographicengEnglishprint199 p. ; 23 cm.Offering a new approach to narrative theory by arguing that chance is the unrepresentable Other of narrative, this book traces the theme of chance in novels by George Eliot, Joseph Conrad, and James Joyce. It also relates the novelistic treatment of chance to important historical currents in the philosophical and scientific understanding of chance, and it provides a theoretical framework for analyzing the representation of chance in any narrative. The author asks three central questions: Why did British novelists become intensely interested in chance in the late nineteenth century? Why and how did they thematize it in their fiction? How did the novelistic treatment of chance contribute to innovations in narrative form?Beginning with Eliot, and with Middlemarch (1871-72) in particular, a new and distinctive interest in chance emerged in English fiction, and later novelists continued explicitly to pursue it in their work. Conrad's Chance (1913) clearly illustrates the textual and theoretical problems involved in the paradoxical attempt to depict chance in a narrative form that gives order and design to novelistic experience. It is not until Joyce's Ulysses (1911) that a narrative mode manages to approximate a kind of chance that is not altogether effaced by the novel's narrative construction. The author asserts that Joyce's work marks and defines a structural limit to the representation of chance in narrative, a limit that subsequent literary efforts do not, and probably cannot, go beyond.Introduction: "Chance Is the Fool's Name for Fate" -- 1. Taking Chance Seriously: Philosophy, Science, the Novel -- 2. "A Practical Rebus": The Economy of Chance in Middlemarch -- 3. Playing Old Maid: Chance and the Proper Name -- 4. Tittles and Asymptotes: The Hyperbolic Function of Chance in Ulysses -- Conclusion: Chance and the Modern Novel -- Appendix: Chance in Hardy and James.Leland Monk.Includes bibliographical references and index.e-uk---Conrad, Joseph1857-1924The secret agentEliot, George1819-1880MiddlemarchJoyce, James1882-1941UlyssesAndrae, AJoyce, JamesUlyssesEliot, GeorgeMiddlemarchConrad, JosephSecret agent1800-1999English fiction20th centuryHistory and criticismEnglish fiction19th centuryHistory and criticismFate and fatalism in literatureChance in literaturePR888.F35 M66 1993823/.8090804721742 (alk. paper) :^^^92038358^27220710https://id.lib.harvard.edu/alma/990033108940203941/catalogWidener Library, Harvard UniversityPR888.F35 M66 1993
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(Revision 1.117 2017/02/14)Caitlin Loneganfor Dorothea : paintings, drawings & notes : October 2012 - September 2014For Dorothea : paintings, drawings & notes : October 2012 - September 2014Lonegan, Caitlin1982-creatorartist,author.Holte, Michael Nedauthor.Moon, Kaviorauthor.Schwarzwälder, Rosemarieeditor.Galerie nächst St. Stephantextcatalogtextstill imageCatalogcatalogs (documents)ArtCatalogsCatalogsCatalogues.auAustria2018monographic[Vienna, Austria] :Verlag für Moderne Kunst,[2018]engEnglishprint269 pages : illustrations (chiefly color) ; 28 cmunmediatedvolumeThe publication presents texts written by Caitlin Lonegan alongside drawings and paintings by the artist inspired by George Eliot's "Middlemarch". The title of the artist's book "For Dorothea: Paintings, Drawigs & Notes" refers to the central character of the novel. Lonegan's work is shown largely true to scale and in chronological order as a means of documenting her serial method of working. The book includes texts from such fascinating and renowned writers as Michael Ned Holte and Kavior Moon.--Publisher's descriptioneditor, Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Vienna ; authors: Caiting Lonegan, Michael Ned Holte, Kavior Moon.n-us---Lonegan, Caitlin1982-CatalogsEliot, George1819-1880MiddlemarchIn artMiddlemarch (Eliot, George)PaintersUnited StatesCatalogsPeintresÉtats-UnisCataloguesPaintersUnited StatesND237.L66 A4 2018759.139783903228320390322832X1041635017https://id.lib.harvard.edu/alma/99153691395703941/catalogFine Arts Library, Harvard UniversityND237.L66 A4 2018
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(Revision 1.117 2017/02/14)engMaking it wholea Victorian circle and the shape of their worldPostlethwaite, Diana1950-creatortextbibliographygovernment publicationCriticism, interpretation, etc.ohuOhioColumbusOhio State University Pressc19841984monographicengEnglishprintxx, 282 p. ; 24 cm.Prelude: Polarities: Samuel Taylor Coleridge's Theory of life (1817-1818) as Victorian cosmology -- ch. 1. Foundations: John Stuart Mill and Auguste Comte -- ch. 2. Applied science -phrenology and evolution: George Combe and Robert Chambers -- ch. 3. New faiths -the philosophy of necessity, "force", and mesmerism: Charles Bray and Harriet Martineau -- ch. 4. Synthetic philosophy: George Henry Lewes and Herbert Spencer -- Finale: "The many in the one, the one in the many": George Eliot's Middlemarch (1871-1872) as Victorian cosmology.Diana Postlethwaite.Includes indexes.Bibliography: p. [267]-274.e-uk---Eliot, George1819-1880MiddlemarchEliot, George1819-1880Friends and associatesGeschichte 1800-1900Geistesgeschichte 1837-1901Geistesgeschichte 1832-1902Geschichte 1832-19021800-1899LiteratureEnglishEnglish literature19th centuryHistory and criticismPhilosophy, British19th centuryPhilosophy in literaturePhilosophy, English19th centuryPhilosophyhistoryGreat BritainIntellectual life19th centuryPR469.P45 P67 1984Making it wholePostlethwaite, Diana, 1950-Columbus : Ohio State University Press, ©1984(OCoLC)5614752060814203728 :^^^84020677^11211189https://id.lib.harvard.edu/alma/990003013530203941/catalogWidener Library, Harvard UniversityPR469.P45 P67 1984
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(Revision 1.117 2017/02/14)Irony in the mind's lifeessays on novels by James Agee, Elizabeth Bowen, and George EliotColes, RobertcreatortextbibliographyPopular WorknyuNew York (State)New YorkNew Directions Books1978, c19741978monographicengEnglishprint210 p. ; 21 cm."Represents an effort to examine certain psychological tensions, or "ironies" that develop and persist in our mental life form infancy though the adult years."--Back coverIntroduction -- Human nature in Christian and secular thought -- Childhood: James Agee's A death in the family -- Youth: Elizabeth Bowen's The death of the heart -- Maturity: George Eliot's Middlemarch.Robert Coles."First published clothbound by the University Press of Virginia in 1974 as the Page-Barbour Lectures for 1973."Includes bibliographical references and index.e-uk---Agee, James1909-1955Death in the familyBowen, Elizabeth1899-1973Death of the heartEliot, George1819-1880MiddlemarchPsychoanalysisPsychiatryEnglish fictionHistory and criticismPsychoanalysis and literatureLiteraturePR830.P74 C6 1978Irony in the mind's lifeColes, Robert.New York : New Directions Books 1978, ©1974(OCoLC)6485504640811206890 (pbk.) :^^^78006651^3844195https://id.lib.harvard.edu/alma/990003963610203941/catalogFrancis A. Countway Library of MedicineWM 75 C693i 1974
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(Revision 1.117 2017/02/14)This particular webessays on MiddlemarchAdam, IantextbibliographyoncOntarioTorontoBuffaloPublished in association with the Faculty of Arts and Science of the University of Calgary by University of Toronto Pressc19751975monographicengEnglishprintxv, 121 p. ; 23 cm.Hardy, B. Middlemarch and the passions.--Haight, G.S. George Eliot's 'eminent failure', Will Ladislaw.--Knoepflmacher, U.C. Fusing fact and myth, the new reality of Middlemarch.--Carroll, D. Middlemarch and the externality of fact.--Beer, G. Myth and the single consciousness: Middlemarch and The lifted veil.edited by Ian Adam.Includes bibliographical references and index.Eliot, George1819-1880MiddlemarchPR4662 .T48823/.8This particular webToronto ; Buffalo : Published in association with the Faculty of Arts and Science of the University of Calgary by University of Toronto Press, ©1975(OCoLC)6800661690802053327 :^^^75015844^1418801https://id.lib.harvard.edu/alma/990007023790203941/catalogWidener Library, Harvard UniversityPR4662 .T48
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(Revision 1.117 2017/02/14)A tragic apprenticeshipthe marriage-plot as Bildungsroman in nineteenth century British women's novelsDillon, Julia Ruth.creatortextbibliographyxxNo place, unknown, or undetermined1986monographicengEnglishprint56 leaves ; 28 cm.by Julia Ruth Dillon.Thesis (A.B., Honors)--Harvard University, 1986.Bibliography: leaf 56.Eliot, George1819-1880MiddlemarchGore, Mrs. (Catherine Grace Frances)1799-1861Pin moneyOliphant, Mrs. (Margaret)1828-1897Agnes15547738https://id.lib.harvard.edu/alma/990009619080203941/catalogHarvard University ArchivesHU92.86.328
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